On Archiving Interactive Materials (AKA what I write in the middle of the night)

There are many problems that occur when trying to archive materials that need to be played to remain. The vinyl record still exists, due to the new flair-up of hipsters (including me) who want the scratching of the needle on a record. However, what happens when the system that plays the archived material is no longer readily available? And what about materials that disintegrate over time?

For film, celluloid was the gold standard for most of it's lifetime. This meant long reals of clear plastic, sensitive to light. But storing celluloid has always been difficult. It's highly flammable, and falls apart over time. The only way to keep it from breaking apart is by keeping it in very specific circumstances. The British Film Institute (BFI) highlights this in their campaign Film is Fragile.

In the documentary Side by Side (2012), the use of film in Hollywood is explored, as well as how difficult it is to archive the materials to watch films. You can watch Side by Side below.

Side by Side, Chris Kenneally

Almost every creative medium has trouble keeping it's historic materials from being unplayable. In the case of film is physical degeneration, for videogames (a digital medium) it's the constant development of the gaming consoles and the systems they use. The constant development of these systems has lead to the creation of virtual systems online, often created by fans, to keep the game playable. Eric Kaltman gives a talk about this issue in the video below.

Knowledge Cafe - Games in Sound and Vision

The problem that currently exist across all mediums (Film, Games, Tv, Music) is that we have no idea what the future might bring when it comes to storing our shared past. The internet is a very useful tool to save digital files, but a hardcopy of some sort is a far more solid as a way of archiving than using only digital files. The world is no longer cut out to stay technologically the same for a long time. We've gone from the use of MP3's to streaming in a span of less than 10 years. The fact that celluloid and vinyl are still being used only helps preserve them, no matter how pretentious individuals who have these kinds of collections might seem. In the case of video games it's slightly different, as there are no new games being developed for the older consoles such as the Nintendo 64.

In the end archiving is an art, and something that will only continue to become more difficult as time passes and technologies advance. No way of keeping our files and materials is the right way. Every way of archiving has consequences. But the fact that we archive our past at all gives us more insight into who we are than any technological advance ever can. 

On Susan Sontag and how she changed my education

I've gone from reading only fiction to reading some non-fiction and being obsessed by it. In short, I've discovered Susan Sontag. For the last few weeks I've been reading her books on photography, and finding that they are actually very easy to apply to films and TV too. And as I am a student of those two mediums, I now feel like I have a better or different understanding of what the media does in the world.


Sontag mostly talks about war photography, and how making an image is a contradictory thing to do. It is both trying to attract attention to what is happening and at the same time the person trying to get our attention on it (i.e. the photographer) is not doing anything. Sometimes this is due to inability but sometimes it also has to do with the need to capture the image and that need taking precedence over the lives of others.

Now, all this being said, the only reason this is something that I've been able to apply in the first few weeks of my studies is due to the classes I'm taking. We have been asked to make several short documentaries and we have been looking at detective TV shows. As I will be making my own documentaries, I've come to realise that ethics is something I will have to think deeper about and something I will have to consider in everything I film. As for detective shows, The fact that we are privy to a murder or other crime should bring us to question our own morals and ethics, even if the crime is fictional.

The deep thoughts of Susan Sontag are still going through the world in her books, but also in the classes that are thought in Art schools. At least, just looking at the books my flatmate reads (she studies photography), Sontag is still extremely influential. However, in my course, we mostly talk about Bazin and Dryer, which means star and author theory. As much as I understand their importance, I feel like looking at what is actually on my screen might give me more. So Sontag gives me the tools to think about what I am seeing, even though the war is not real, and why I am seeing it. She talks about the reluctance of showing death when it looks like something we know, but our readiness to show it when it looks foreign. So we go back in time, or to a place we don't know or have a story that is almost impossible to create the distance we need to comfortably look at what is going on. But none of this is being said in my classes. None of this is learn from my lecturers. Instead Susan Sontag is saving me.